“My introduction was a pretty disastrous festival in 1990. My lasting memory from that year was when a helicopter landed in the crowd to airlift a girl to hospital during The Cure’s headline set. I wonder if anyone has any photos of that, not least to confirm that it actually happened?
I started shooting as a press photographer in 2000 when the Press tent was just a gazebo with a disconnected landline. I vividly remember the day Radiohead played in 2003, that was quite a day, and night, and this is how it unfolded.
I’d had a call earlier in the day from a magazine, they wanted me to do a quick shoot with Supergrass before they played, to go with a feature. I was to meet them by the Pyramid backstage portacabins. While I was waiting for Gaz&Co to emerge, the many members of the Polyphonic Spree were in a neighbouring portacabin(s) preparing for their show. Being a fan, I hung around and chatted with a few of them. That evening after shooting Radiohead, as the press pack were being escorted from the photo pit, I bumped into Tim Delaughter from the Spree and told him how much I enjoyed their show earlier. He was delighted and gave me a big hug and i found myself nuzzling his long, soft, curly hair for much longer than was necessary, it was beautiful, but at that moment Wayne Coyne stomped past wearing giant paper mâché fists and began to dance around us!! An unreal moment!
My head spinning, I made my way off into the night to meet friends in the green fields. As I was making my way past the Other Stage, it was seriously going off! Huge deafening beats were pumping out and the crowd were going crazy. Although from my view at the back I was struggling to see anyone on stage, I stopped and looked harder, squinting, but no-one was there!! The music carried on and the crowd were still going ballistic when on walked the Super Furry Animals in full yeti costumes, returning for their encore, and they blasted straight into a super-heavy version of ‘The Man Don’t Give A F*ck’. MIND BLOWN!! It gives me tingles thinking of that now, such an amazing performance and absolutely one of the most incredible moments I’ve had on those hallowed fields.
Working at Glastonbury as a photographer is an awesome privilege, and not one to be taken for granted, every year is life-changing and I hope and pray there are many more.”
Photo © Jim Dyson/Getty Images
Read more Glastomonials
Submit your Glastomonial
Below you’ll find a submission form where you can submit your Glastomonial.
Glastomonials can be whatever you like them to be – good or bad, funny or sad, as short or long as you wish, and should be accompanied by your Glasto-photos that best capture the essence of your Glastomonial, and Glastonbury experience as a whole.
We ask that you share your stories, memories and any crazy/quirky/funny/magical details you can recall – Please make it as expressive as possible.
Once submitted and reviewed, it will then be published on the website and shared across our social channels.
If you would prefer using email rather than the submission form below, feel free to hit us up at: [email protected]
Thank you for taking the time to be a part of this project!