“remarkable” longtime commercial director who worked at the Festival for over 30 years
Glastonbury founder Michael Eavis has paid to the festival’s longtime commercial director Robert Richards, who has died aged 65 following a short illness.
Richards, who was a true Glasto-veteran and produced Julien Temple’s 2006 Glastonbury film, passed away at Guy’s Hospital in London yesterday (12 January).
In a statement, Michael Eavis said: “He worked for the Festival for over 30 years. His first job was setting up the information and CND campaigning stalls and he was the producer of Julien Temple’s Glastonbury film in 2006. In recent years, Robert has been responsible for partnerships, large commercial deals and sponsorship, and he helped secure the license for the Festival to continue in 2014.
“Alongside this work, Robert helped me personally with projects in Pilton village, particularly the big social housing project and the village shop. He was also Chairman of the Glastonbury Town Fund Board which raised £24 million for the town in 2021.
“I am personally very sad and upset to lose this remarkable man who I will find difficult to replace. Now that the fever of life and his days are over, may God give his soul the rest it deserves. Thank you, Robert.”
PRS for Music chair, Nigel Elderton tweeted: “Terribly sorry to hear the sad news of Robert Richards passing. Always happy to help even when working under pressure and a great music fan. My condolences to his family, Michael, Emily and all the Glastonbury team! We will miss you Robert!”
Terribly sorry to hear the sad news of Robert Richards passing @Glastonbury. Always happy to help even when working under pressure and a great music fan. My condolences to his family, Michael, Emily and all the Glastonbury team! We will miss you Robert!
— Nigel Elderton (@MusicmanUK1) January 13, 2022
In 2015, Richards spoke about the nature of his role at the world’s largest greenfield festival in an interview with Glastonbury’s ticketing partner See Tickets.
“I work on all the sponsorship/partnership relationships, the BBC partnership and the land deals involving the festival site,” he said. “I have an overview on ticketing, markets, and bars. The best thing about the job is that every day is different.”
Richards also discussed the evolution of the festival during his tenure, saying: “I can still see whole areas that are still very similar to my early days at the festival,” he said. “The main changes are in the professionalisation of the production, and support teams.
“We have world-class people working at the event, but what makes it so special is the commitment the area organisers and their teams bring to each of their parts of the festival. It’s the best party in the world.”